Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of "Open Secrecy"

In her article "Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of 'Open Secrecy'" Véronique Lane analyzes the extent to which the journals, letters and poems of Allen Ginsberg are marked by constant reference to literary models that give just as much weight to French as to American writers. Focusing on his long involvement with Guillaume Apollinaire and Jean Genet's works, Lane argues that Ginsberg meticulously constructed the genealogy of his poetry through a threefold strategy of literary quotation, translation and encryption. Uncovering this strategy through analysis of "Howl," "At Apollinaire's Grave," and "Death to Van Gogh's Ear!" does more than simply nuance or deepen our understanding of Ginsberg's work in the 1950s; it reveals that it was largely through his engagement with French literature that he developed the very aesthetic and hermeneutic method of his poetry. Véronique Lane, "Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of 'Open Secrecy'" page 2 of 8 CLCWeb: Comparative Literature and Culture 18.5 (2016): Special Issue Global Beat Studies. Ed. Oliver Harris and Polina Mackay